▼室内空间概览，interior viewOPB名设网资讯中心

OPB名设网资讯中心

▼吧台，bar counterOPB名设网资讯中心

OPB名设网资讯中心

我们用抽象的雕塑表达想法，比如说我们做library空间，我们思考如何表达出体积感(有厚度)，参考Rachel Whiteread的雕塑作品，突破传统造型，增加了空间的趣味性。用书的负形表达书的功能符号；我们同时在空间中用了“窗帘”的元素符号去丰富空间的语言， 把窗帘的现实造型映射在雕塑上，增加趣味性，将褶皱抽象化成不同弧长的凹形雕塑。天花和墙面都用了这一手法。OPB名设网资讯中心

We express our concept by using abstract sculpture, for example, when we were designing the library, we referred to sculpture craftsman-made by Rachel Whiteread, breaking through traditional design of credenzas. In the meantime, we utilized curtain element to convey space, the realistic shape of curtain mapped on the sculpture, applied in ceilings and elevations.OPB名设网资讯中心

▼library空间，libraryOPB名设网资讯中心

OPB名设网资讯中心

▼用书的负形表达功能符号，express functional symbol of books by using negative shapeOPB名设网资讯中心

OPB名设网资讯中心

▼将窗帘的现实造型映射在墙壁，把褶皱抽象化成不同弧长的凹形雕塑，the shape of curtains are modeled on walls, and the folds are abstracted into concave sculptures with different arc lengthsOPB名设网资讯中心

OPB名设网资讯中心

整个空间的选材和配色都是偏向“subtle”，没有特别突出的颜色，没有强烈的对比，我们尽量减弱这些关系，但仍然保留材料之间的层次感，举例来说，我们的墙面天花，及造型在设计上都有着严谨的深浅逻辑，而在空间中又不希望被客人察觉，喧宾夺主，我们砂岩的斜线造型，在每个“房间”里都有应用，既是探索空间线索又是增加材料层次的一个方法。OPB名设网资讯中心

The material selection and color matching are subtle, without intense contrast, we won’t enhance the visual connection among these elements meanwhile remaining layering between each other. For instance, design of walls, ceilings and shapes remain in precise logic but are imperceptible, elegant and aesthetic. The slash sculpt made by sandstone is applied to everywhere in the “apartment”, which is a second layering for the general space.OPB名设网资讯中心

▼空间的选材和配色都是偏向“subtle”，但仍然保留材料之间的层次感，The material selection and color matching are subtle, but remaining layering between each otherOPB名设网资讯中心

OPB名设网资讯中心