Daq名设网资讯中心

为了不打扰顾客的视线，所有的电气和技术设备都被隐藏起来。人们的眼光顺着整洁清晰的家具线条流转。半透明，透明和反光面的家具有秩序的组合排列，时而被大片的蓝色侵没，如同其是光本身。Daq名设网资讯中心

No electrical or technical elements that are here can be seen. Nothing interrupts the view of the visitor. The gaze follows the clear and fundamental lines of the furniture, it partakes in the finely tuned rhythm of opaque, transparent, and reflecting surfaces, and it may be immersed by the big blue, as if it was light itself.Daq名设网资讯中心

Daq名设网资讯中心

▼ 一个跨越建筑，舞台和视觉艺术的体验店，the store – more or less transcends the borders between architecture, scenography and visual artDaq名设网资讯中心

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 Daq名设网资讯中心

展览空间 | ExhibitionDaq名设网资讯中心

如同百货公司用不同的空间特性来区分不同的品牌和商品类型，AAS事务所提出了用不同的拓扑空间来区分的想法。Daq名设网资讯中心

As department stores use different space identities to recognize different brands or good-types, the AAS proposition would use different topological spaces like the one we can find in a city or in a village.Daq名设网资讯中心

Daq名设网资讯中心

Daq名设网资讯中心

原Tagesspiegel的打印空间由两个大厅组成，既可以当做一个展览空间也可以用作一个城市基地。两个大厅所有的建筑构造元件都被清理干净，只留下简洁的空间。Daq名设网资讯中心

The former printer space of the Tagesspiegel is composed in two large halls that we can see as an exhibition space but also as an urban site. The two halls have been clear-out in the way all architectonic elements remain the only substance of the spaces.Daq名设网资讯中心

Daq名设网资讯中心

Daq名设网资讯中心